Skip to main content

Supervisor in the Doctoral School

dr hab. Tomasz Pietrek, prof. ASP

 

Faculty of Graphics and Media Art, Department of Graphic Design


 

Biographical note

I was born in 1980. I studied at the Academy of Fine Arts in Wrocław and graduated in graphic arts in 2007 under the supervision of Professor Eugeniusz Get-Stankiewicz. Since 2007 I've been working at the Faculty of Graphics and Media Arts at the Geppert Academy of Art and Design in Wroclaw.
Since 2019, I have been working as a professor in the Poster and Graphic Design Studio, of which I am the head. I’ve participated in over 200 national and international exhibitions, including the ’International Print Triennial in Krakow’, Kraków; ’International Poster Triennial’, The Museum of Modern Art, Toyama, Japan; ’International Graphic and Drawing Biennial’, National Taiwan Museum, Taipei, Taiwan; ’International Poster Biennial’, Wilanów, Poland;  ’International Experimental Engraving Biennial’, Mogosoaia, Romania; ’International Triennial of Political Poster Show’, Memorial Museum, Mons, Belgium;  ’Guanlan International Print Biennial’, Print Art Museum, Guanlan, China.

I’ve done numerous graphic designs for cultural institutions, publications, and posters.
I’ve designed over 90 art catalogues. From 2010 to 2023, I was the art director for the FORMAT Art Magazine. During this period, I designed over 32 magazines.

In the center of my interests is the man. The most important for me is not his demonstrated superficiality, but his emotions and experiences. I often attempt to create the cohesive and closed “psychological portrait”. On people's faces we can see all kinds of emotions, conflicts and joys which determine their lives. I often turn my attention to the masks hiding people's true faces and emotions.
Citing Gombrowicz "to be a man means to be an actor". I eagerly recreate the actor's creations (masks), because behind them there is hidden the most sacred sphere of the man. It is the sphere that people want to protect from the outside influence. They do it in order not to disturb their internal ‘sacrum’.

  • 2021 Award of Excellence, ’Best of Print News Design’ Society for News Design, for the cover of FORMAT No 85, 42nd Edition Creative Competition, USA
  • 2017, 2016, 2015, 2014, 2013 Honourable Mention for the cover of FORMAT No 73, No 71, No 69, No 68, No 65, ’The Best Polish Press Covers GrandFront 2016’, Polish Chamber of Press Publishers, Museum of Modern Art in Warsaw, Academy of Fine Arts in Warsaw
  • 2013 Honourable Mention, ’23rd Biennial of Polish Poster in Katowice’, BWA Contemporary Art Gallery
  • 2012 BBK art grant, Leipzig, Germany, 6th Lithographic Symposium
  • 2009 Third Prize, the ’2nd International Triennial of Print and Drawing’, Bangkok, Silpakorn University, Thailand
Supervision

Language of consultations:

Polish, English and German

Characteristic of the projects and research in which the PhD student is to be subsumed:

The study should encompass a wide range of themes related to image, object, and installation. The ability to precisely define this issue is significant in the context of the world around us. The selection of research topics should align with the scope of activities, with all artistic and multimedia techniques being welcome. These include a range of research, spanning from broadly understood drawing, graphics, and painting to multimedia installations.

Characteristic of didactic cooperation between the supervisor and the PhD student:

A doctoral student should demonstrate:

  • a mature approach to the subject
  • the ability to work consciously with materials
  • fluent expression in the artistic field
  • artistic activity
  • knowledge of the global achievements in visual arts
  • involvement in the creative process