Supervisor in the Doctoral School

Born in Gdansk.

Graduated in 1996 from the Graphic Arts Department at the Eugeniusz Geppert Academy of Art and Design in Wroclaw, where she now directs the Studio of Printmaking Expansion.
Malgorzata has participated in over 80 solo exhibitions and in more than 300 group exhibitions and competitions. Working with her artist friend, Anka XY Mierzejewska, they have created the artistic group Old Banana. They organize performances in public spaces.
The main field of artistic activity is printmaking on sculpture. Malgorzata has created many series of works including: Logorrhea, Lalopathy, Eat Your Mother, Born to be KING… Kong, Me – Crowd – Moloch, Woman Thinks, KaKaPooPoo Project, Eating Marilyn Monroe, and Toxic Lollipop.

Achievements

1. 2015 Artist Residency - 3331 ARTS CHIYODA, TOKYO, JAPAN .  Scholarship from the project POKL.04.03.00-00-095/12 "Through intermedia graphics to photographic, film and television post-production."
2. 2021 Artist residency SIM Rejkjavik. Scholarship from the project POKL.04.03.00-00-095/12 "Through intermedia graphics to photographic, film and television post-production."
3. Contemporary Polish Printmaking Exhibition (group exhibition), National Museum Soares dos Reis, Porto, Portugal (2013); Lalit Kala Akademi, New Delhi, India (2012); The College of Art and Design, Kyung Hee University, Seoul, Korea (2011); Tianjin Academy of Fine Art, China (2010).
4. 2015 Two-part author lecture Possibilities of Thermosealable Printmaking and workshop Thermosealable Printmaking - The Fine Art School Northeast University Chang Chun and Academy of Fine Art, Tianjin, China.
5. 2017 Woman in Print - symposium, The Harris Museum and Art Gallery, Prinston, England.

Language of consultations

Polish, English

Characteristic of the projects and research in which the PhD student is to be subsumed

For selection or any combination:

1. Thermal printmaking - prints fired on ceramics, glass or metal
2. Experimental printmaking – print’s object, animations by using prints (stop motion, mechanical, flipbook ...), bio-print (printing with biologically active material, on plants, etc.), body printing, site-specific, list of activities open to the creativity of the PHD student. 

Characteristic of didactic cooperation between the supervisor and the PhD student

Broad interest in printmaking techniques including traditional and experimental ways of using them. Openness to cultural, ideological or technical diversity. Willingness to cooperate with both didacticians and other students. Initiating new tasks and projects. A high degree of independence in setting and pursuing new goals and a willingness to share the results of these activities in the form of artistic, educational and exhibition projects.