Posters

 

Poster Participation

Wrocław 2016 posters programme download here

Alphabetical
by author’s
last name
Poster title with author(s) and affiliations
60 Broschat New information on an old find – the restoration of the Taraneš Cup
Katja Broschat (Römisch-Germanisches Zentralmuseum, Mainz, Germany) and Inga Vollmer (Römisch-Germanisches Zentralmuseum, Mainz, Germany)
39 de Corneillan Islamic Ceramics Reconstructed:  When Archaeology and the Art Market Intersect
Hortense de Corneillan (Conservator/ Musée Ariana, Genève, and Teacher of Ceramics and Glass conservation, Haute Ecole de conservation-restauration ARC, Neuchâtel Switzerland)
26 Emiliano Study and Conservation of a 17th century Persian Glazed Tile Panel from the Museu Nacional de Arte Antiga (Portugal)
Raquel Emiliano (Department of Conservation and Restoration, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa), Joana Lia Ferreira (Department of Conservation and Restoration and REQUIMTE-LAQV, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa), Rui André Alves Trindade (Museu Nacional de Arte Antiga, and Instituto de História da Arte da Universidade Nova de Lisboa), and Augusta Lima, Department of Conservation and Restoration and Research Unit Vicarte – Glass and Ceramics for the Arts, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa), Márcia Vilarigues (Department of Conservation and Restoration and Research Unit Vicarte – Glass and Ceramics for the Arts, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa)
42 Ferucci The Ennion Cup from Pavia Civic Museum: a case study
Silvia Ferucci (University of Bologna, Italy) and Lamberto Tronchin (Professor, Bologna University)
47 Fischer The Formation of Formates:  Further Research on the Role of Pollutants in Glass-induced Metal Corrosion
Andrea Fischer (State Academy of Art & Design Stuttgart, Germany), Gerhard Eggert (State Academy of Art & Design Stuttgart), and Stefan Brüggerhoff (Deutsches Bergbau-Museum Bochum, Germany)
Gajewska-Prorok Stained Glass Windows from Grodziec: Research, Conservation
Elżbieta Gajewska-Prorok (Wrocław National Museum)
Gajewska-Prorok Early modern Silesian glass in the collection of the National Museum in Wrocław: Research and conservation postulates
Elżbieta Gajewska-Prorok (Wrocław National Museum)
04 Gómez Sánchez Evaluation of Artificially and Naturally Aged Conservation Materials for the Treatment of Ceramics and Glass
Dr. Elena Gómez Sánchez (German Mining Museum), Elena Agnini (Restaurierungsatelier, Munich), Emmanuelle Casanova (Organic Geochemistry Unit, School of Chemistry, Bristol), Alexandra Bridarolli (Hochschule für Bildende Künste Dresden), Estefanía Calparsoro, (University of the Basque Country UPV/EHU), Stefan Simon (Institute for the Preservation of Cultural Heritage, West Haven, CT), Raphaëlle Rolland (Atelier Hylé, Paris)
48 Holzer Planning the conservation of Infanta Eulalia’s Glass Fibre Dress (Toledo/Chicago 1893)
Charlotte Holzer (Technical University Munich, Germany)
18 Jeberien The Waldglas Project: Studies on Accelerated Degradation Processes on Medieval Glass during Archaeological Fieldwork
Alexandra Jeberien (Hochschule für Technik und Wirtschaft Berlin), Olga Emgrund (Hochschule für Technik und Wirtschaft Berlin), Rainer Drewello (Otto-Friedrich- Universität Bamberg), Sören Siebe (Otto-Friedrich-Universität Bamberg)
27 Koziczak Conservation and Restoration of Porcelain: issues surrounding cleaning and loss compensation
Justyna Koziczak (ASP Wrocław, Poland)
38 Kuiter Supporting Glass fragments with Metal Bridges: Paraloid B-44 as an alternative to Cyanoacrylates
Rebekka Kuiter (Stuttgart Academy of Art and Design, Germany)
16 Mamczynski Glass Objects Collection from the Museu del Disseny of Barcelona: Conservation Treatment Case Studies
Valeria Mamczynski Guerizoli (Conservator in Private Practice, Barcelona)
53 Martusewicz Conservation and Restoration of Ceramic Decorative Elements of the Gabinet Farfurowy, or Faience Room, at Wilanów Palace
Dr hab. Jacek Martusewicz (Professor ASP Academy of Fine Arts in Warsaw, Faculty of Conservation and Restoration of Works of Art)
15 Matuszczyk Inpainting Materials Tests on Indoor Ceramics using the “Cold Manner”
Michał Matuszczyk (Associate Professor, Eugeniusz Geppert Academy of Art and Design in Wrocław)
44 Oleszczuk Conservation Methods of Antique Mirrors from the 17th-19th Centuries
Sławomir Oleszczuk (Góra, Poland) and Creo Beata Oleszczuk
46 Oleszczuk Reconstruction of the bima from Synagogue in Chmielnik
Sławomir Oleszczuk (Góra, Poland) and Creo Beata Oleszczuk
33 Polak Department Store ‘RENOMA’ in Wrocław: techniques for the restoration of its ceramic sculptures, architectural details, and tiles on the façades
Katarzyna Polak (Department for the Conservation of Stone and Architectonic Details, Nicolaus Copernicus University in Toruń, Poland) and Maria Gąsior, phD (The Eugeniusz Geppert Academy of Art And Design, Faculty of Ceramics and Glass)
57 Rudy Contemporary Methods for Reconstructing Historic Ceramics
Maria Rudy (Faculty of Fine Arts, Institute for the Study, Restoration and Conservation of Cultural Heritage, Poland)
50 Siebel Peculiar Patterns: Glass, Cracks, and Meaning
Katja Siebel (State Academy of Art & Design Stuttgart, Germany), Anna Straeter (State Academy of Art & Design Stuttgart, Germany), and Margarete Eska (Landesamt für Denkmalpflege BW, Germany)
43 Stojković The Use of 3D Scanning and Printing in Conservation and Restoration Treatments of Delft Blue-and-White Tulip Pyramids
Daniela Stojković (Het Blauwe Paard Restauratie, Amsterdam, The Netherlands)
49 Strobl Treating gaps in stained-glass windows: The windows from the Protestant church in Dorndorf, Thuringia
Sebastian Strobl (University of Applied Sciences Erfurt) and Simone Stritzker (Universtiy of Applied Sciences Erfurt)
58 Tennent Delftglaze: current Dutch research on the conservation and analysis of blue and white ceramic glazes
Norman Tennent (University of Amsterdam, Ateliergebouw), Jan van Campen (Rijksmuseum), Femke Diercks (Rijksmuseum), Isabelle Garachon (Rijksmuseum), Mandy Slager (Restauratieatelier Mandy Slager, Leiden), Han Neevel (Rijksdienst voor het Cultureel Erfgoed, Amsterdam), James Nobbs (Colour4Free, Leeds), Johannes van Elteren (National Institute for Chemistry, Ljubljana, Sl)
40 van Lookeren Campagne Reproducing 18th Century Dutch Tin-glaze Tile Recipes:   what can the conservator learn?
Kate van Lookeren Campagne (University of Amsterdam, Department of Conservation and Restoration), Peter Oltheten (EKWC), Maarten van Bommel (University of Amsterdam), Norman Tennent (University of Amsterdam)
55 van Schinkel Descriptive and photographic documentation of glass deterioration: A glass conservation project at the Rijksmuseum
Margot van Schinkel (Rijksmuseum, Ateliergebouw), Roosmarijn van Beemen (Amsterdam), Bodill Lamain (Rijksmuseum, Ateliergebouw), and Guus Verhaar (Universiteit van Amsterdam/Rijksmuseum, Ateliergebouw)
19 Vilarigues “Red like blood” – sanguine red and its application in stained glass
Márcia Vilarigues (Departamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa, and Research Unit VICARTE – Glass and Ceramics for the Arts, Portugal), Fernanda Barroso (Departamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa, Portugal), and Andreia Machado (Departamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa, Portugal and Research Unit VICARTE – Glass and Ceramics for the Arts, Portugal)
56 Wittstadt Conservation of a modern glazing designed by HAP Grieshaber
Katrin Wittstadt (Fraunhofer-Institut für Silicatforschung, Würzburg, Germany), Gerhard Schottner, (Fraunhofer-Institut für Silicatforschung), and Gabriele Maas-Diegeler (Fraunhofer-Institut für Silicatforschung)
30 Zaręba Problems in Examination Methodologies of the Materials and Methods used in Archaeological Glass Conservation
Dr Anna Zaręba (Nicolaus Copernicus University in Toruń, Faculty of Fine Arts, Poland) and Mgr Wioleta Oberta (Nicolaus Copernicus University in Toruń, Faculty of Fine Arts, Poland)